{"id":1394,"date":"2014-09-28T12:43:13","date_gmt":"2014-09-28T12:43:13","guid":{"rendered":"http:\/\/www.francoisbardier.com\/?page_id=1394"},"modified":"2021-09-19T07:28:06","modified_gmt":"2021-09-19T07:28:06","slug":"lanimation-en-volume","status":"publish","type":"page","link":"https:\/\/www.francoisbardier.com\/?page_id=1394","title":{"rendered":"L&rsquo;animation en volume"},"content":{"rendered":"<p>L&rsquo;animation en volume englobe diff\u00e9rentes variantes, il peut s&rsquo;agir d&rsquo;animation <strong>d&rsquo;objets en volume, de marionnettes, de figurines en p\u00e2te \u00e0 modeler<\/strong>, ect&#8230;<\/p>\n<p><a href=\"http:\/\/www.francoisbardier.com\/wp-content\/uploads\/2014\/09\/IMG_8807.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-1658 size-thumbnail\" src=\"http:\/\/www.francoisbardier.com\/wp-content\/uploads\/2014\/09\/IMG_8807-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/www.francoisbardier.com\/wp-content\/uploads\/2014\/09\/IMG_8807-150x150.jpg 150w, https:\/\/www.francoisbardier.com\/wp-content\/uploads\/2014\/09\/IMG_8807-230x230.jpg 230w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/> <\/a><a href=\"http:\/\/www.francoisbardier.com\/wp-content\/uploads\/2014\/09\/IMG_8807.jpg\"><\/a><a href=\"http:\/\/www.francoisbardier.com\/wp-content\/uploads\/2014\/09\/IMG_9432.png\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-thumbnail wp-image-1660\" src=\"http:\/\/www.francoisbardier.com\/wp-content\/uploads\/2014\/09\/IMG_9432-150x150.png\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/www.francoisbardier.com\/wp-content\/uploads\/2014\/09\/IMG_9432-150x150.png 150w, https:\/\/www.francoisbardier.com\/wp-content\/uploads\/2014\/09\/IMG_9432-230x230.png 230w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p>Elle est parfois coupl\u00e9e \u00e0 la <strong>pixillation<\/strong> qui est l&rsquo;animation de personnes r\u00e9elles.<\/p>\n<p>Parmis les premiers films d&rsquo;animation en volume on peut citer ceux de r\u00e9alisateurs comme l&rsquo;am\u00e9ricain <strong>James Stuart Blackton<\/strong> (The haunted hotel, 1906), <strong>Segundo der Chomon<\/strong> (la maison hant\u00e9e, El hotel electrico), deux films bizarrement tr\u00e8s proches !<\/p>\n<p>Le premier film mettant en sc\u00e8ne une figurine en volume est <strong>\u00ab\u00a0The sculptor&rsquo;s nightmare\u00a0\u00bb (1908)<\/strong> de <strong>Wallace McCutcheon<\/strong>:<\/p>\n<p><iframe loading=\"lazy\" title=\"The Sculptors Nightmare\" width=\"474\" height=\"356\" src=\"https:\/\/www.youtube.com\/embed\/MyQaTViWne0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>A partir de 1917, date de son premier film, l&rsquo;am\u00e9ricain <strong>Willis O\u2019Brien (1886-1992)<\/strong> d\u00e9veloppe ensuite consid\u00e9rablement la technique de l&rsquo;animation en volume et cr\u00e9e des effets sp\u00e9ciaux pour le cin\u00e9ma, notamment ceux de <strong>\u00ab\u00a0King kong\u00a0\u00bb (1933)<\/strong>:<\/p>\n<p style=\"text-align: center;\"><strong>\u00ab\u00a0The lost world\u00a0\u00bb de Willis O&rsquo; Brien:<\/strong><\/p>\n<p>https:\/\/www.youtube.com\/watch?v=INa4ba2VReE<\/p>\n<p style=\"text-align: center;\"><strong>King-kong (1933):<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"Trailer - King Kong (1933)\" width=\"474\" height=\"356\" src=\"https:\/\/www.youtube.com\/embed\/sND4F3hdBS4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>Ray Harryhausen (1920-2013)<\/strong>, qu&rsquo;il a form\u00e9, sera son successeur. Il travaillera sur de nombreux films dont la fameuse sc\u00e8ne des squelettes dans <strong>\u00ab\u00a0Jason et les argonautes\u00a0\u00bb (1963)<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"Ray HARRYHAUSEN : Le Grand Ma\u00eetre de la Stop Motion ! - Hors-s\u00e9rie #02 - Total Remake\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/sn1YVH_EdiY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"Jason and the Argonauts skeleton fight\" width=\"474\" height=\"267\" src=\"https:\/\/www.youtube.com\/embed\/pF_Fi7x93PY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Le r\u00e9alisateur Tch\u00e8que, <strong>Jan Svankmajer<\/strong> utilise diff\u00e9rentes techniques d&rsquo;animation et a souvent recours au volume sous diff\u00e9rentes formes (Objets, argile&#8230;) coupl\u00e9 \u00e0 la pixillation:<\/p>\n<p>Avec <strong>Jabberwooky,<\/strong> il utilise essentiellement objets et poup\u00e9es:<\/p>\n<p>https:\/\/www.youtube.com\/watch?v=vV9bHxFxzrY<\/p>\n<p>Un univers qu&rsquo;il d\u00e9veloppe dans son adaptation d&rsquo;<strong>Alice<\/strong> aux pays des merveilles de Lewis Carroll:<\/p>\n<p>https:\/\/www.youtube.com\/watch?v=1rri69wKUUQ<\/p>\n<p>Autre r\u00e9alisateur tch\u00e8que, Jiri Barta est auteur de nombreux courts m\u00e9trages dont certains en volume comme \u00ab\u00a0Kystar\u00a0\u00bb, r\u00e9alise en 2002, dr\u00f4le de grenier mettant en sc\u00e8ne marionnettes de bric et de broc et objets:<\/p>\n<p style=\"text-align: center;\"><strong>Jiri Barta: \u00ab\u00a0Krysar\u00a0\u00bb (1986):<\/strong><\/p>\n<p>https:\/\/www.youtube.com\/watch?v=-xlbvRy2-Kg<\/p>\n<p style=\"text-align: center;\"><strong>Jiri Barta: \u00ab\u00a0Dr\u00f4le de grenier\u00a0\u00bb (2002):<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"DR\u00d4LE DE GRENIER sur Bandes-annonces.fr\" width=\"474\" height=\"356\" src=\"https:\/\/www.youtube.com\/embed\/ZLB_BhNs4EY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Les films des <strong>fr\u00e8res Quay<\/strong>, r\u00e9alisateurs anglais poussent l&rsquo;animation en volume \u00e0 un niveau tr\u00e8s haut:<\/p>\n<p style=\"text-align: center;\"><strong>Brothers Quay: \u00ab\u00a0Street of crocodiles\u00a0\u00bb:<\/strong><\/p>\n<p>https:\/\/www.youtube.com\/watch?v=UIGEjEu0bn4<\/p>\n<p><strong>Animation d&rsquo;objets en volume:<\/strong><\/p>\n<p>En ce qui concerne l&rsquo;animation d&rsquo;objets en volume, voici quelques exemples:<\/p>\n<p style=\"text-align: center;\"><strong>\u00ab\u00a0Tchou-tchou\u00a0\u00bb de Co Hoedeman, r\u00e9alisateur canadien:<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"Tchou-tchou - Animation and Cartoon Videos\" width=\"474\" height=\"356\" src=\"https:\/\/www.youtube.com\/embed\/jEHfoprRfh0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: center;\"><strong>\u00ab\u00a0Roof Sex\u00a0\u00bb de PES, r\u00e9alisateur am\u00e9ricain:<br \/>\n<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"Roof Sex by PES\" width=\"474\" height=\"356\" src=\"https:\/\/www.youtube.com\/embed\/1aodpb3vFU0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: center;\"><strong>\u00ab\u00a0Western spaghetti\u00a0\u00bb de PES:<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"Western Spaghetti by PES | The FIRST Stop-Motion Cooking Film\" width=\"474\" height=\"356\" src=\"https:\/\/www.youtube.com\/embed\/qBjLW5_dGAM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: center;\"><strong>\u00ab\u00a0Stuff vs stuff\u00a0\u00bb de Aardman:<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"Stuff Vs Stuff - Walkman and vacuum cleaner\" width=\"474\" height=\"356\" src=\"https:\/\/www.youtube.com\/embed\/P4INfBoFWdg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: left;\">Sur le site d&rsquo;arte creative, une s\u00e9rie en animation d&rsquo;objets en volume (Avec utilisation aussi de 3D): <a href=\"http:\/\/creative.arte.tv\/fr\/series\/objectivement\">\u00ab\u00a0Objectivement\u00a0\u00bb<\/a><\/p>\n<p>Voici enfin quelques <strong>films r\u00e9alis\u00e9s en ateliers:<\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&rsquo;animation en volume englobe diff\u00e9rentes variantes, il peut s&rsquo;agir d&rsquo;animation d&rsquo;objets en volume, de marionnettes, de figurines en p\u00e2te \u00e0 modeler, ect&#8230; Elle est parfois coupl\u00e9e \u00e0 la pixillation qui est l&rsquo;animation de personnes r\u00e9elles. Parmis les premiers films d&rsquo;animation en volume on peut citer ceux de r\u00e9alisateurs comme l&rsquo;am\u00e9ricain James Stuart Blackton (The haunted &hellip; <a href=\"https:\/\/www.francoisbardier.com\/?page_id=1394\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">L&rsquo;animation en volume<\/span>  <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.francoisbardier.com\/index.php?rest_route=\/wp\/v2\/pages\/1394"}],"collection":[{"href":"https:\/\/www.francoisbardier.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.francoisbardier.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.francoisbardier.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.francoisbardier.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1394"}],"version-history":[{"count":23,"href":"https:\/\/www.francoisbardier.com\/index.php?rest_route=\/wp\/v2\/pages\/1394\/revisions"}],"predecessor-version":[{"id":1661,"href":"https:\/\/www.francoisbardier.com\/index.php?rest_route=\/wp\/v2\/pages\/1394\/revisions\/1661"}],"wp:attachment":[{"href":"https:\/\/www.francoisbardier.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1394"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}